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Only her pride stopped her, and so it continued, on, and on. Then suddenly Sukky knew she could take no more. “No more, no more, I can’t not any more, no more, please.” She screamed it and then screamed it again. Sukky who would never give in, never begged, begged, and begged, sobbing as she did so. It ended then, she was drenched in sweat, and panting, gasping for air. Money was changing hands at such a rate. Thousands, maybe millions. Sukky didn’t care, she was beyond care. It had ended, that’s all she cared.The girls clits were measured, there was more money to be made on that flutter, how long, whose was the longest. Sukky didn’t care. Claire didn’t care. Ophelia didn’t care. They were unbuckled from those St Andrews Crosses. At that moment Sukky never wanted to see one again. None of them could walk, their legs were jelly, were carried from the stage, and carried out into the night, to the waiting helicopter, and flown back into The Company’s embrace.Sukky drank mineral water,. The rear legs and back are shaped in such a way that when occupied by the subject the chair can be easily tipped onto its back and still keep the subject nearly horizontal. If the subject’s arms are tied behind the back of the chair (normally the case) then the curve and height of the back stop their arms from being trapped when the chair is tipped over. The back is a diamond lattice of twisted square rods. Perfect to tie to and uncomfortable (eventually painful) to lean against. It is designed to give the submissive as close a feeling to actual capture and torture as one can safely get in a play scenario. It works.Commitment of the submissiveSometimes a scene is based around the submissive enduring a task to show their will to be submissive to their master. Done right the scene reinforces the bond; done wrong it can damage or destroy it. This happened in the spring of 1992. Maggie arrived early evening. She knew broadly what would happen, she had requested it. She had (has) a.
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