She said it didn't have to be about a book. It couldbe a movie or TV show or anything. She just wanted to know what I likedabout what I liked.I thought for a few seconds about the story of the English guy proposingto the beautiful lady that I'd seen on TV with my mom when I was a kidbut decided she wouldn't understand it and would probably think I wasweird. Besides, the only part of the movie I'd seen was where heproposed. I didn't know anything else.Then I remembered a show that Garrett and I used to watch every Sundaynight in the TV room at the boys' ranch before I got put in isolation. Isay Garrett and me; every guy at the ranch was in the room with us, andwe didn't, in fact, we hardly ever got to, sit together. But we suretalked about it when we could. In fact, those nights when he came to seeme in my little trailer prison, he would tell me about the episode orepisodes that I'd missed. And we'd talk about what we would do in asimilar situation.The show was about a zombie. ”Eperia’s eyes grew soft and wistful. “My beautiful Nan Madol.”“The City of Ghosts.” Tess loved hearing the story, over and over, like a child’s tale. The familiarity brought her comfort.“Yes,” said Emperia. Now it is called the City of Ghosts, though that was not always the case. Once it was a kingdom. A paradise. The land of my people. How I long to show you the azure waters of my home.”The Bach tocatta sounding through the confines of the ship abruptly cut off.They both heard the slight change in pitch of the engine at the center of the Kraken; seconds later, the rudders ar the bow of the ship creaked, and the slant of the entire vessel canted upward. Something was afoot."We're rising toward the surface," said Tess.Eperia said, "Perhaps the galvanic field surrounding the hull has detected something."They listened.As if on cue, the sound of claxons filled te room, interrupting Tess and Eperia’s languor. The claxons rang through the ship just as the music had, carried along by the.
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