. the images of creatures long gone from the world.But are not all pictures drawings, I ask.No, she says, the pictures of other creatures in the book are another thing, she names it photograph. And she shows me! She brings out a thing she calls a camera and points it at me and there is a flash of very bright light and camera makes a small noise, and then she takes camera to the thing on the table and I see myself in the light of the front of the box. She moves her fingers on the bosses before her and in a moment the image emerges from another thing beside the desk on the same thin material that is in the book.I see this with my eyes, so I must believe.When I look again at the book, I see that the pictures of the animals that she says live now are as the image she has made of me, but the pictures of aurochs and the animals she says no longer live are otherwise.If it is as she says then I shall never see Siefert again. Never see the woman of my hearth, M’kamba; never see the sons of my. But in those days the forest came down to the river. Stands of tall Totara and Beech trees that hummed and twittered with wildlife.His ancestors had cleared the land with the axe and two-man hand saws. There used to be a sawmill by the river in those days. At first they had a waterwheel then a steam engine to drive the bandsaws and rollers. It closed sometime in the 1920s when all the timber ran out.His Grandfather had built the old house by hand in the early 20th century. It stood through fire, flood and the occasional earthquake. It had been extended, modified and generally buggered around with but the front was original. The slash windows were narrow and retangular and now looked incongruous alongside the later additions.Laurie watched the demo people set up their gear. Much of the timber, of course, would be salvaged and sold off at a grossly inflated price. That's the way it is, he thought, everyone making a fortune out of the hard manual work of folks long dead. The old farm.
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